Flute School

Flöte spielen Songbook F -
by Elisabeth Weinzierl and Edmund Wächter

Flöte Spielen – Klavierbegleitungen Band A-F

Piano accompaniments to many pieces from all six volumes (volume A - F)
from FLÖTE SPIELEN - The new flute school.
If possible, the playing difficulty adapts to the level of the flute part,
so that peers can play together.

76 piano accompaniments on 164 pages!

Flöte üben - aber richtig 1

Der Ton  von Trevor Wye

What sets Trevor Wye's exercise books apart is the blend of sobriety and humor
with which the problem areas of the flute technique are tackled. Practice the flute - but a good one is right
Guide to getting beautiful tone, technical skill and clean Intonation.

Flöte üben - aber richtig 2

What sets Trevor Wye's exercise books apart is the blend of sobriety and humor
with which the problem areas of the flute technique are tackled. Practice the flute - but a good one is right
Guide to getting beautiful tone, technical skill and clean Intonation.

Content:

Flöte üben - aber richtig 3

Die Artikulation (Trevor Wye)

What sets Trevor Wye's exercise books apart is the blend of sobriety and humor
with which the problem areas of the flute technique are tackled. Practice the flute - but a good one is right
Guide to getting beautiful tone, technical skill and clean Intonation.

Flöten queren 1

A flute school for children (flutes with and without keys)

For flute lessons with children, individually or in a group, from about 6 years,
and suitable for starting with the normal flute as well as for beginning with
Flutes without keys. In a playful and creative way, breathing, approach,
Posture, note and rest values and musical content conveyed with plenty of space for your own,
self-creative development with sound games and self-invented melodies.

Flöten queren Band 2

A flute school for children (flutes with and without keys)

Authors:
Barbara Metzger
Andrea Osthoff

with online audio

Listen, read & play is the individual wind instrument method for thirteen different instruments,
which can be used in individual or group lessons. The proven method is compiled in accordance with
the current rules and requirements of music education. It contains
many games, puzzles, listening exercises, songs, and original compositions. With the online audio
material, practicing is twice as much fun! In the first volume, note values up to
eighth notes are introduced in a moderate range. In addition, there are some accidentals and
necessary auxiliary fingerings. Of particular interest to young players is an extra page
illustrating the history of their own instrument.

Hören, lesen & spielen für Querflöte - Band 2 - Buch + CD

Hören, lesen & spielen is the individual wind school for thirteen different instruments, which can be used in individual or group lessons. The proven method is compiled according to the current rules and requirements of music education. It contains many games, puzzles, listening exercises, songs and original compositions. With the accompanying CD, practicing is of course twice the fun! In the second volume, in addition to the rhythmic expansion to sixteenths and the introduction of 6/8 time, the program also includes the chromatic expansion of the tonal range. Instrument-specific exercises and playing techniques, such as B. Warm-up training, embouchure exercises, overblowing, buzzing, lip ties and much more. m. make the young wind players fit.

Hören, lesen & spielen für Querflöte - Band 3 - Buch + CD

Hören, lesen & spielen is the individual wind school for thirteen different instruments, which can be used in individual or group lessons. The proven method is compiled according to the current rules and requirements of music education. It contains many games, puzzles, listening exercises, songs and original compositions. With the accompanying CD, practicing is of course twice the fun! In the third volume, playing numerous pieces comes first. Theodor Tonleiter explains new scales, intervals and the determination of keys. At the end, the students can already improvise to a chord scheme themselves. Rhythmic knowledge is expanded; the expansion of the pitch range is in turn accompanied by instrument-specific exercises. There is also information worth knowing about instrument making.